
Any thrill I might have experienced upon learning an “East of Eden” adaptation was in the Netflix pipeline was rapidly extinguished by memories of the latest screen desecrations of beloved classics.
Earlier this year, provocateur Emerald Fennell turned Emily Brontë’s Gothic tragedy “Wuthering Heights” into cheap fodder for the smut-obsessed. This summer, Netflix retconned Laura Ingalls Wilder’s “Little House on the Prairie” — complete with culturally fluent pioneers and a DEI-mandated American frontier.
They are systematically eliminating our clearest portraits of evil because behind them lies the Christian realities that inspired them.
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As for Christopher Nolan’s “Odyssey,” I thought it was a cinematic success, but it still made the face that launched a thousand ships a lesson in representation, while casting transgender “Elliot” Page as the Greek
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