​Can tech save entertainment — from itself?

​Can tech save entertainment — from itself?

Not many people think of Larry Ellison, the irascible scion of tech giant Oracle, as a media mogul — much less a Hollywood heavyweight. But with his son David’s rise to head Paramount on the heels of a deal merging his Skydance Media production studio with Paramount, the elder Ellison now counts his second major family foray into the belly of the corporate cinema beast.

His first, by way of daughter Megan’s once white-hot Annapurna Pictures, drew him in deeper than, no doubt, he’d planned. After an extraordinary spate of acclaimed hits — including some, like “Zero Dark Thirty,” that put the company into an intimate, if temporary, relationship with deep state image shapers — Annapurna began bleeding cash on underwhelming films. In 2018,

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